Tag Archives: Death

Mystereum Tarot Imagin-Action Death~Emperor Scheduling

Mystereum Tarot Imagin-Action Death~Emperor Scheduling

Now is the time to explore Imagin-Action with you in daily blogs with Tarot in the Land of Mystereum.

Objects in the mirror are closer than they appear.  So, look in YOUR mirror.  How close are you?  How close are you to finding your own natural leadership that is present to work with and effectively enliven your own interactions?  Explore the military sandbox of Imagin-Action with these daily blogs.  Sound rigorous?  Sure is!  Sound hard?  Not a chance.  Imagin-Action can enhance the heartbeat and breath of your ideas to effectively play out and build foundation under your dreams.  Imagin-Action can help you make your dreams beyond real.  Imagin-Action can bring your realized dreams into play as natural features in your everyday personal, business, you-name-it course of life.

Death ~ Emperor Scheduling

All Similar, Each Unique. And, with Imagin-Action and Death ~ Emperor Scheduling you will soon learn to keep your focus fresh like Death always present in the garden, use the D word well (DELETE DELETE DELETE) with forgetting is for getting, and by methodically going step by step, even when your RPM’s are groovin’ the redline under deadline, be able to realign the pace and direction of your whole system in a single step like The Emperor as you complete things and finish wonderfully well with a YEAH BayBEE!

Today will scratch the surface of Death ~ Emperor Scheduling.  I want it to be effective for you.  What I’ve learned and evolved in 20+ years of Project Management will be doled out in appetizer and single-course portions.  I want you to be able to not gloss over a tome, and immediately begin to put things to use and build more effectiveness into the things you do.

Today’s Theme of Death ~ Emperor Scheduling is a short n sweet combo of Wed & Thu themes

~ WEDNESDAYS will be Working Out Your Best Times Wednesdays. Showing you creative ways to play, and play your play into enhancing your effectiveness in ALL you do.  Personal.  Business.  You-name-it!

~ THURSDAYS will be Those Times You Are Most Productive Thursdays.  We’ll find ways to mind those times, notice them, and discover how to better capitalize on synchromeshing them with your Best Times Wednesdays.  Sound like this is Department of Redundancy Department stuff?  Well, tune in and then decide.

One Quote & 2 Questions to figure out when is YOUR best time to work?

  • Juggling around identity and divinity, I feel that identity is divinity expressed personally. All similar, each unique. ~Jordan Hoggard
  • So, What times and periods of day do you feel divine, magical?
  • Which of those times and periods are magically personal, and which of those times and periods are delightfully productive?

That’s It For Today!  WHAT?!, You Say?  What can I . . . .

Ok ok ok. But, stop being so Gotta Look Real Hard To Show I Am Focusing.  This is not presenteeism.

  • outline the times of the day YOU feel magical and divine.  There may be a diff between magical and divine or no.  Your call.
  • outline the periods of the day YOU feel magical and divine. If you’re feeling down, distinguish degrees across the day and pick some winners!  Make ’em a certificate or CUPCAKES!
  • outline the times of the day that you feel ARE magical and divine.  The TIMES of the day.
  • outline the periods of the day that you feel ARE magical and divine.  The PERIODS of the day.
  • Make a simple Monday through Sunday or Sunday through Monday chart, a Week Per View with your current daily order.
  • Anchor-point your current commitments, then begin to fill it in and flesh it out by . . .
  • Describe your 24-hour calendar.  An easy way to be concise and have fun with this part is to TITLE each period, and TITLE the specific times you outliined above.  Give ’em names or story titles.  Have fun with it.  I love detail and repetitive work as it becomes a cadence of a physical meditation, yet I STILL call the daily check-in and weekly updating of what $$’s I have to work with ASSININE ACCOUNTING.  I actually really like it, but I like more to keep a clue present in my environment that a priority is to have staff to accommodate this, and to periodically revisit the priorities and action steps I have to put that in place.  DO Make sure SLEEP has a good block of time wherever you put it.
  • Now, which of the above are YOURS YOURS YOURS?  Times?  Periods?  Whole Days?
  • Which of the above are shared and in need of coordination with another or a group?  Times?  Periods?  Whole Days?
  • Which of the above are when you are uninterruptable and you can, do, or will commit to focusing ONLY on your task and RELATED tasks in orbit at hand? Yes, withOUT interruption?  There’s a new invention called voicemail, and phones tend to have ways to quickly drop the volume without turning them off.  Constant notifications are a far cry from the cadence of a drum circle.
  • in that last regard, be mindful of metronomes in your life that you have simply white-noised gotten used to.  We’ll need to tailor those later, too.
  • Do YOUR homework YOUR way.

Now, that’s REALLY it for today.  Get the above recipe list present and ready.

Do the above as homework, and after you complete it, place it somewhere where you keep it in plain sight.  We will be building on it as we go along with these Imagin-Action techniques for more effectively incorporating imagination into everything you do.  If you like to cook, you’ll understand these prep portions and their pauses.  How ’bout we call the above Your Imagin-Action Ramikens. the little bowls of prepped sauces and sliced n diced stuff that you paint in to your cooking here and there on the way to making a great meal?  Yes, Imagin-Action Ramikens to hold your Imagin-Action ingredients.  Well, you can of course call them that now, though I would suggest to make sure they are clean and ready to go.

Place your Imagin-Action homework in plain sight after you complete it.  Keep a scratch pad in your pocket across a day or several days and let your homework just complete itself basically as you take notes when they strike resonant chords with you.  For the long-haul, keep a scratch pad to scribble down week vs weekend feelings and titles. Keep it simple.  Just time or time period and name or title.  We will get to the moon phases n stuff later.  Keep it simple.  It’ll be your Bob the Biology Skeleton up at the front of your class.  This is about writing down the bones of your time and their character + function in your life.

Tune in, take the time to make laughter, and find the laughable in any situation

It sets a break or segue from whatever you were doing before like jumping around and shaking being all silly for no reason other than . . . to prime your pumper and pump up the volume on your celestial groove. We’re all born to see differently, all similar each unique.  Focus and clarify YOUR vision and effectiveness as you follow along and participate with Mystereum in Imagin-Action!


This blog is in no way intended to give you the higher octave of ADHD which is ALAS.  What is ALAS?, you say?  ALAS is . . . ATTENTION . . . Look A Squirrel!  Discipline in the sandbox is finding the natural way you flow and play with your ideas effectively.  It is about discovering their value that can take seconds, can take your whole life up to this point.  Each day, each play.  Make ’em count.  The value of a moment can be perennially catalyzing.  The value present in each moment can be infinite.

Oh, one last thing

I checked the Cosmic Daytimer.  The future was all booked up, the past was out, and that seems to be the status for quite some time.  No room for them in The Perpetual Present Inn.  Now works, though.  Past and future orbit like memories and dreams.  You might try hookin’ up with ’em in the spa.  Now works, though.  Now works.  There always seems to be an opening for you now.

Get that scratch pad and / or pads, and do pull a card to turn over that Card Back up there.  Will it be your big title to color your scheduling theme?  You’ll have to decide on that.  It’s your schedule, and we want to get you to be the Master of your schedule.

A closing scenic overlook side trip for Ya

Take Mystereum for a FREE sample spin on!

Check out your Taroooooo SHINY Death ~ Emperor copper Dog Tag.

Only one left available for $70 USD.  Unless of course you wanna kill the price and wheel n deal like an Emperor . . . Sounds fun to me!  Though, do it quick, as some Death~Emperors will make sure the 1 available is 1 piece of magic in their hand and zero available.


All images and text (c)2010, 2012 Jordan Hoggard

Tarot in the Land of Mystereum is available signed by the author at

There are only four 1.5″ x 2.5″ copper Tarot Dog Tags left at

Groc the videos at

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Posted by on September 20, 2012 in The Mystery


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Tarot. Mystereum. The Presence of the Hermit

Presence-of Card Cameos . . .

Major Arcana cards make cameo appearances in other cards throughout Tarot in the Land of Mystereum.  They appear throughout Mystereum in multiple cards, both other Majors and in Minors.  This is to add to, to inform Tarot character development through visual story and allusion.  I also felt that this multiple-cards-in-a-card visual story technique furthers the deck so The Minors . . . are not minimized.

This visual expression of the cards themselves journeying around The Land of Mystereum is at the heart of the very structure of Mystereum.  We could call this opening up the epistemology of card divination, epistemology being philosophy of the study of how we know things.  We could call the card cameo appearances a Tarot etymology that expresses snapshots of the origins, the lineage of each card’s divination personality in their ongoing and living developed births of their appearances in your readings.  Interestingly enough, we can also simply say, . . .

Can You pick a face out of a crowd?

“Cards in Tarot in the Land of Mystereum inform one another.”  Cards in the Land of Mystereum literally inform one another in the visual story of the cards where they appear.  They don’t start doing this after you learn them. They start doing this after you meet them, notice them in a “what’s that?” way, can pick their “face” out of a crowd so to speak.  Takes a little doing of course, yet play it like a movie . . . “Who’s that? What is THAT thing or person doing here?”

Have some fun opening up and exploring this cameo appearance Presence-Of feature in The Land of Mystereum.  It is there to assist you in card inter-relationships and working with your intuition, to further inform the Imagination Tools gifted by Mystereum’s 192-page Imagination Primer book.  Pick a Major Arcana character in your Tarot in the Land of Mystereum deck.  Then, one by one, go through your deck.  See what full portions of the card and what out-takes or details appear in other cards.  Once you have walked through your deck and pulled the hangouts, the Presence-Of places of the card you have chosen, ask yourself . . .”How does this card contribute with its appearance in this other card?  What clue to this card’s identity does the guest appearance accentuate, how does it flesh out the card’s story?  Are these cards the same yet simply at different scales?  For example in the Imagination Primer the 3 of Swords expresses in a way that something beyond its grasp is formed that,

So, on to the Tarot Presence-Of The Hermit Cameos

The Hermit in The Land of Mystereum plays 4 visual storytelling parts, appears in 4 cards.  There is The Hermit card of course, and as well The Hermit character makes Presence-Of cameos in Death, Ace of Wands, and 2 of Wands.  It felt very natural for The Hermit to appear in this way as a perennial story-thread of a card’s character further alluding to and contributing personality to the sense of place throughout these 4 cards in The Land of Mystereum.  Why doesn’t The Hermit appear more?  Well, maybe he/she really does, and then again there are 4 appearances to 9’s mirror his 4-cornered world of inner identity and illumination.  This Mystereum visual character dictionary of storied appearances reaches out to symbolically spice up the deck in many places, like in the 4-charactered stage in The Hermit’s play.  Mystereum is not a deck of card soliloquies or monologues.  The whole deck is inter-related both in visual and spoken story, and each card embraces their identity as well. The Land of Mystereum is really a land, a place of divination in community with itself within and about where “All Similar, Each Unique.”

The Hermit appearing

in The Hermit card visually expresses the story of shining a light on your mysteries and confusion, turning over the pretty rocks of your beliefs to discover the treasure they hide.  With The Hermit discover your outer stillness as you actively walk the cloister of your mind.  Look up through your crown into your Psychic Sky.

I like that Mystereum’s Major Arcana characters explore The Land of Mystereum much like Harold and Milo explore their strange new worlds and find them enlightenly entertaining.  Alice does this too, though, I don’t know her as well as Harold and Milo, and Mystereum is about higher octave yang energies and putting them to conscientious use.

The Hermit cameos twice in Death

  • Hermit image on both forward and back flowing banners.
  • inner life is the herald connecting past and future.
  • through The Hermit all things are continuous much like The Hermit may be the Psychic Synapse of experience.

The Hermit appearing in The Ace of Wands

  • as the Wand holder.
  • as the one who cracks open the alchemical egg, the crucible of night, into the day.
  • as the one who compasses and squares a location to give it genius loci, making location into place with the energy of crafted identity.
  • the emanator.
  • infused and active inner energy and journey.
  • Ace of Wands as source of genius loci.

The Hermit cameoing in The 2 of Wands

  • BECOMING the alchemical egg, the crucible of night, that has been cracked open into the day.
  • AS the maker of the puzzle pieces of night and day in the Psychic Sky.
  • Analogy of The Hermit AS twilight in the Ace of Wands, the energetic place of beginning ALSO as the magical space between, the moment after crossing the Psychic Synapse, the first concrete step IN a new place.

Best to your own alchemical team 

supporting your Self in Your Royal Court of Higher Self filling the seats of Your Court to cheer on your expert skill expressed in play!  Consider these characters to already have season tickets to cheer on your strong play.  There are no cheap-seats in your game of life.  Play well.  Play with the vibrant motions established by The Hermit, Death, The Ace of Wands, and The 2 of Wands as teammates. Here is expressed quite a band of allies for your journeys within and about.  Play with the vibrant strength of their inner motion YOUR WAY!  The Hermit may also be a symbol of your inner light that both reflects and is also unmoved by outside influences . . . like the Moon in the Hermit’s sky, and there’s your next Birth Card Pair, the Moon~Hermit Tarot Birth Cards.

Check out previous Presence Of articles to discover more about the coordinated dynamism present to support and further inform your journey throughout The Land of Mystereum.

Thanks for visiting!  Best to this “Presence Of” series more fully elucidating one of the naturally hidden structures that are alive and well in Tarot in the Land of Mystereum to round out your inner team’s work.  Who knew?  Drawing pretty pictures is the smallest part of my job.  And, the more you know, the more you enhance informing your intuition.  If you’ve ever learned to drive a standard transmission car . . . and how are you with it now?  What about an automatic?  How are you with it now?  Similar to intuition I say, similar to Mystereum.  At first there are a lot of things to keep track of, and then you simply drive.  The Hermit’s puzzlepieces of sky synchromeshing, The Hermit AS twilight are both visual metaphors of the unseen and unmoved mover.

Explore Your Personal Twilights With The Hermit

as you explore whole worlds that can exist in the tiniest of things and the smallest of places . . . like the infinity inside you.

All images and text (c)2010, 2011, 2012 Jordan Hoggard

Tarot in the Land of Mystereum is available signed by the author at

Groc the videos at


Posted by on August 11, 2012 in Card Cameos, The Mystery


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The 411 on One’sness’ 2-Lane Highway: Death, The Wheel, & The iMAG-iNation

The 411! A Revisionist Birthcard Combo? ;-D
“Studies show that one out of one people experience death, maybe you will, too.”
~ Dr. Janet Noever
“Life. None of us are getting out alive. Enjoy it!”
~ Comedian, “Lazyboy TV” cd
“Be comfortable with the not-knowing NOW. Your imagination is there for you.  Does yours work in your best interest?”
~ Jordan Hoggard
“Mastery leads to further discovery.”
~ Jordan Hoggard
ON DEATH AND IMAGINATION: This one is a little longer article. May I suggest to pick paragraphs like apples, and plant the seeds?
You knocked on the right door.  Thanks for visiting!  I’ve been thinking about this over the last year. . .
Have you ever picked up distinctions between different kinds of not-knowing, or unknowns, in your life? There feels to be a connection between, death, imagination, and living. There are of course connections and disconnects between everything all the time. . .
I see death and the not-knowing to form a 2-lane highway, both lanes 2-way, that go in the both directions forward and back. Do both utilize imagination in one way or another? Does death have to merge at some point lest it be a dead-end on that highway? Do we simply merge with it?
The way I look at it is that we are inherently imaginative even in a deceptively simple way as a primal survival mechanism. We tend to think forward, to literally imagine the future. What if I do this? Or, that? Or, those? And, in that I say, if you know what’s going to happen, why do it? There would certainly be no serendipity there, no surprises to catalyze further interest, you already know what is going to happen.  But, do you? Have you ever experienced familiar surroundings differently doing the same ole actions you have done there before? I have. And, there is where I see this 2-lane highway, both lanes 2-way forward and back, forward to the future with dreams, and back to the past with memories. If I drop time out of the metaphysical experience for ya, aren’t memory and dream very similar? Both float-orbiting weightlessly in mind? I am not going to do the boring “what is mind, Jordan?” dictionary-pulling conversation stopper here.  I will leave that to people who like to be annoying. I know what I know, and I don’t know what I don’t know, and catching truth in regard to mind may simply be a philospshical game of catch-the-greased-pig-while-you-are-blinfolded-with-your-hands-tied-behind-your-back.  I can think of better uses there without the pig. 
If we imagine forward into the future and only come to death, it would only be a disheartening, deflating dead end, and imagination would probably have evolved away way back some time. Yet, still that does not often induce, “ok, so why keep doing anything? No matter what, none of us are getting out alive. What’s the point? I saw death, and it kinda killed everything back to now.” Seems, though, we are not hard-wired that way.  Even people who have nead death experiences (NDEs) are often better goal-setters and planners while at the same time are successful WHILE they take things in stride at speed, often utilizing both positive and negative surprises as free, catalyzing serendipity along the way.
And, that is where rather than avoiding the not-knowing, I feel it more of a rationalizing of death to, “Well, so death comes from this which is a big thing.  Are their more coolio even BIGGER things with this imagination stuff?”
And, like Jeff Goldblum in Jurassic Park says, “life finds a way,” which is where my other lane comes in.  So, we imagine past death.  Did that create reincarnation?  In the same way if we imagine past birth, do we experience past life scenarios? Hmmm.  Both seem to play in to an irrational and EXTREMELY NECESSARY optimism whereby imagination is like an awake-dream, and we can of course compose the same future scenario differently, but I feel we also re-remember our pasts where like Samuel Johnson stated, then “hope triumphs over experience” and we LEARN from experience even capitalizing on failures. Is that to say something is true the way happened, but can be more true the way we tell it? Can be more nourishing the way we incorporate it into our life? That links to storytelling, but I would say more to cherry-picking the perennials in our past to forget the crapola and support the things worth remembering, and also visualizing in to the future to nourish our upcoming new perennials.
I sometimes wonder if creating the Mystereum Tarot and then evolving it into The Land of Mystereum was a balancing gesture forme.  Was I weighted down and filling up one of these 2 lanes more than the other? I mean, I have almost died on a mountain, a 14’er.  I have almost died on a mountain, stuck 45 feet up with no way down except to climb back down the vertical face but my hands were blowing out, or of course let go which would have had SUCH a quicker solution time. ;-D.  I got shocked in my 17-foot ceiling in my studio in Denver years back while standing on top of an 8-foot ladder as a friend held it. I had to change a light bulb, not a common almost-croaking scenario–but, as well I was grabbing things with the back of my hands, too. In a 150 year old building, you can tug on one thing and then POOF molten tin ceiling tiles from a wire crossing and falling above the ceiling. X-raying the ceiling has never been one of my strong points when changing a light bulb. So, there is that dang irrational positivity we can utilize to make the best out of even tricky and dangerous and even life-threatening situations. With the light bulb incident, rather than freaking out standing on the top of the ladder, even while being electrocuted (not of course in a power line way but more a “get a free home-perm” way) I steady-froze my balance standing on top of the ladder and simply tucked my head and squinted so I could still see as the spew of molten tin ceiling tiles shrapnel fire-fell and cascaded over me.  Lotsa holes burned in my shirt, but in that instant I knew that steady was better than falling from 8-feet up. Fight or flight would have killed me. Steady and turning the other cheek, well, both, though, wasn’t fighting OR fleeing. Do you hmmph like an old librarian with purple hair to say, “The ladder SAYS not to stand that high on it.  Wasn’t smart to be there in the first place. You brought this on yourself.” I do not know which is worse, hmmmphing, or the guests coming over later for dinner to eat in the dark?
Not many people fear for your safety and life when you chime out that you are heading to the bank. But, we never know do we?  We never know. . .hmmm. . .what do we really know?  The sky is up?  It is even sometimes blue? And, sometimes blue, like an orange? Thanks Andre Breton. Seems all of those experiences I expressed just now about ALMOST dieing are about being UP, and not being able to come down. Is it no matter that there was a pattern that would tell any normal person to stay on the ground? Neh, I do not feel that getting cowered or beaten down by our experiences is the point of life. Life is to experience. I’ve never seen a cosmic D-Hall. . .maybe because I had enough of that waaaaay back in school.  Even if it would seem I may have been egging those experiences on to a great degree, literally and systematically challenging myself to death, ONE, I am still here, and two, it was better than doing nothing. Back then I would much rather go to a mountain and camp than sit on a couch and order pizza.  I do see the error there now, though, if there are coupons involved. ;-D.  So, no need to go into samurai or ninja or warriors or duels from the perspective of those experiences indicating past-life content surfacing. Can if you want to, but. . .I think that that is the way I was/am/will be hard-wired to a degree, and there’s not much static about that. More a WEEEEEEEEEE, but possibly a little less annoyingly funny than the pig in the Geico commercial.. Wits come waaaaayyyy naturally, just like grace under fire, and that I even perform under pressure optimally like I am sipping tea. So, I use ’em when necessary, they tell me something I KNOW about myself. . .yet still . . .
The above is expressed less to talk about me, but more to inform this 2-lane idea thingee from my personal experience which I have no need of either repeating or proving, to provide some experiential things to chew on.  Life doesn’t seem to be a repeat the experiment to prove something gig, more a repeat things for discipline, ritual, study, improvement, meditation, journeying, payment, etc etc.
So, I often wonder if Mystereum on all of its forms from 2005 until 2008, and then 2009-2010 when I completed The Land of Mystereum really did NOT take 5 years.  Did it take my whole life up to that point? All of my life experience infusing a WHOLE land? Gotta say a definitive and enthusiastic yes to that.  But, was the catalyst form-giver in 2005 in my garden really like a psychic gear being shifted? A psychic gear that when switched then stepped on the gas to gun it out of the dead-end death-challenge lane into the other lane to go beyond the death I had pretty much just almost gotten to, and in many cases while painting always felt I had gone beyond? Gone over the horizon so to speak? To switch into the re-remembering forward and back on a discovery where I could metaphysically and actively drop time out of the equation? And, dropping time out the past and future became synonomous.  The past became memory, the future became dream, and both live weightlessly, floating to a degree, and are naturally supported in their orbits in the mind/consciousness/unconsciousness. . .and Everything is in Everything in the continual flow of switching focus and re-orchestrating momentum.  I dig Ken Wilbur, but he is from the last 100 years.  He can bite some credit from the Everything is in Everything cake, but it is an age-old idea.  A medicine man around a campfire thousands of years ago would be my first go-to there.
So, do I dismiss too many distinctions when I do not define “mind”? Frankly, that incessant word-definition in conversation is boring.  Conversationus interruptus with, “What do you mean by mind?” etc ad infinitum ad neauseum. Maybe no fault of their’s.  Maybe people who do that simply do not comprehend the sanctuary a good question will positiviely provide in a conversation.  But, I digress. To pull back from death? Nope. I seem to be driving the other lane, now. I much rather seal the deal and say mindbodybeautiful where though there are a great many opoosites together, it is not so much a dulaity, but more so an antinomy–a totality of inner opposites functioning in real-time (whether there or not) at speed in play in life.
So, back to “what was the form-giver catalyst for Mystereum?” I don’t really need to know, but since it strikes me as important, I know my process well enough to sniff on down that trail for the goods. Maybe it is that I started getting lop-sided, that there was too much or simply enough experience with the death gig already, AND that I would often say about my paintings, “If I go down and start painting, don’t worry if I don’t come back.  I always go over the horizon and I have no clue if it is dangerous or not, and that may mean I am going beyond death in my active hand-paint-drum-strokes of trancedance rhythmically drum-dance-stroking the colors across the canvas. It also may simply mean I am able to dance with my shadow in a land of imagination consciously. Damn Neptunian boundaryless-concept boundaries. Hi Pluto.” And, I’d toddle off into the studio.  All that then was more to mess with roommates than anything. And then those attempts at some-truth humor . . . How much direct foreshadowing is THAT?! 😀
As you are probably aware a rhythmic drumming is often used in shamanic journey work to facilitate travel.  I simply came to it naturally after the intense physical and sitting meditations in the martial arts.  That serves up a great deal of my skepticism to the ooh la laaaas of “oh it blew my mind, man” like people describing LSD trips and it and gets back to, (grimacing)”Stop talking about it, and go do it then. It’s yours” kinda thing.  I always hmmphin’ shook my head when offered acid or similar with, “DOOD, that’s so like batteries not included in the Christmas toy of your mind.  My model has that standard and at will and mostly most all the time.  Enjoy yourself, though.” You see, that’s THEIR gig, and that’s ALL them. Jerry Seinfeld might say something here. I remember a writer friend coming back after doing mushrooms on a hike.  He had asked to watch me paint in oils one day to see if it would give him a story. I obliged happily so long as he agreed NO MATTER what with NO exceptions that once we were in the studio he was not to say anything at all or get up and leave and disrupt the process. I suggested he was about to go on a road trip with me as I painted, so he might wanna visit the lou.  He had watched my pupils naturally widen to almost all black as I painted. Mentioned afterwards that all he could think was “Dog. Food. Do NOT get between them.” Pretty funny. Don’t think I would have attacked him. The big pupils were more of an actively creative taking-all-senses-in-in-motion-in-action as I painted.  So, he came back in after his shroom gig on a boulder yelling out to get me to come from wherever in the house I was.  “OK, Man. How do I say this? I STILL don’t understand you AT all. You swim SO easily in complex, unconscious areas.  But, the shrooms made EVERYTHING so vivid today!  The thought came to me that I might have been sensing what you feel ALL the time.”  Couldn’t tell you.  I have always said my mind was aleady too Ferrari’d to go sticking some fuel booster crap in it. But, I like what he said.  Some are hard-wired to experience psychic contents like looking at art in a museum.Born with a foot in both sides? I believe my astrologer when she says yes to that.
Well, this is a meandering story written to as a reel to draw out a mini-memoire through the biography of an idea, the idea now living of The Land of Mystereum.  I think, though, that moving meanderingly like on a new trail, and expansively AND recording it in ways that archetypally have more to do with everyone rather than being only personal, The Mystereum Tarot and The Land of Mystereum are visual and word stories that took me to power up the rest of my noggin’ in creating and making them to experience more fully the right-on-the-money inklings I seem to have always had instant access to, yet for the most part though I utilized them in architecture, I took them for granted as well. . .like the way I took the Death card in a reading I performed on The Tarot Guild’s internet radio show. . .where I pretty much ran laps around the R.I.P. idea of death in my mind in about 1/2 a second and POOF saw instead the death of her old relationship, and then frankly ran laps around the High Priestess just as quickly to spark, “I feel it is coming from an outside source.” Where did that come from? Channelling? I may channel my energies, focus them, but that’s the imagination at work. Channelling from my perspective is not about getting OUT of the way, but more fully inhabiting the way to be IN the way. Is channelling expression of one’s inner divinity being powered up and further infused and informed by a larger divine source? I ill simply say Everything is in Everything.  There is a whole universe in the focused frame of any scale you choose to focus on.  And, more so, I feel that inner divinity being energized is indicative of our imagination’s 4-banger engine cycling with: 1-idea; 2-creativity; and 3-intuition.  The 4th cylinder is the silence, the space between the other three always swimming them into and through the experience of their living relationships with one another in each of our creative processes.  In that Tarot Guild radio show reading I had never said that about those cards before.  But, in the context of a reading, the expectations in the present tense all die, or are removed, resurrected, or infused . . .well. . .as they are in each reading, and each one is different. . .like the endless imagination lane or orbit-around an orbit in an orbit — moon orbiting the earth orbiting the sun orbiting in the solar system in a galaxy that is probably in orbit, too, etc etc, and that to me is SO NOT ad infinitum ad nauseum but way cool. Readings are similar to my Stargazer Lilies blooming each year in a graden years back.  They always look the same, and they unfurl subtly differently, and I never found this repetitive gig boring.  Quite the contrary, I anticipated their brilliant golden glow every year, just like my purple Crocus noses popping up 1st to indicate Here Comes Spring!
All in all, I think about death more and more now that Mystereum is living, but that doesn’t worry me.  It simply indicates to me that I feel I have developed my imagination up to and maybe past the near-death intensities I experienced on mountains, grown a more expansive AND balanced sense of things, that I have gotten the inevitability of death to partner the power of its inevitability with the power of my imagination, and in that I will go out on a limb to say that whatever imagination is, THAT is what I find transcends death, and it can do it to infuse life in life in an every day kind of way. . .which is pretty much where my “Death As The Master Gardener” article in the Themed Personifications section of my blog came from.  It also has a lot to do with my,”Success and mastery are not effective when they lead to megolomania or egomania. Those are qualities of a dead-in-the-water life in motion.  Success and mastery are there to lead to further discovery.”  Further discovery ’cause I lived and was able to come off the top of the mountain alive and continue to discover? Possibly.  Possibly a masterful command of the obvious.  Like my Stargazer Lilies blooming. But, “Mastery leads to further discovery.” I rather like that one as much as I like my perennials blooming.  Another one of “When I listen to myself, literally hear the importance of what I say, I really tell myself what to do in a way that’s not too complex, and really more subtle.  Pretty much a masterful command of the obvious.” After creating the Mystereum Tarot card images, I began to more clearly experience a quality of decptive simplicity I have.  I began to say more with less, and maybe even talk a blue mile better. ;-D  These days I hope that blue mile is more of spinning an interesting yarn in my work that provides some welcome resonances with people.
To initially sum it up. Imagination and death from my mind are a 2-lane highway where death continually prune-preens chaff out of ideas, intuition, and creativity, and keeps the spce between them clean and flowing, like Psychic Feng Shui for your 4-charactered voice of idea, creativity, intuition, and the space between as my (functionally inter-related component parts description) of Imagination. Call imagination Feng Shui for the mind, the psyche.  Nice, psyche AS room. . .in the Sacred Temple of Your Mindbodybeautiful Self.  And, Imagination is just as present and inevitable as death, and I feel it may in fact transcend death.  With butt in the chair, time naturally drops out of the equation.  2 hours may feel like a whole day.  I feel and think/know that dilates when we create.  And, add the continued ability to be punctual to the mix, and you can create things on schedule.  That said, squinching my nose and chuckling, I only see it as prudent to be late to my own funeral.  I should go ahead and add myself to the guest list instead to really set that up. Bettin’ death doesn’t have a truant officer. ;-D
And, now, to round this all up, I will yin-yang-symbol it. Yin-yang-symbol as a verb. Think of the yin-yang symbol as a lush diagram of your whole imagination.  Imagination surrounds the black dot of the wormhole of death. Imagination surrounds the white dot of the wormhole of birth.  I couldn’t tell you which is the black paisley field or the white paisley field, though, because you can switch all those nouns and substitute death for imagination.  It works both ways.  Again, everything in everything. I feel this expresses the female, yin, creation concept of the completeness of living things + the male, yang, concept of perfectionism or finality in ongoing tuning and tailoring pretty nicely as a single totality working together. The bad guys wear white in chinese theatre. Here they mostly wear black. So, does that simply then make the ball of the earth itself the indication from the visual metaphor of the yin-yang symbol? Is the earth then its own symbol of self AS itself as the diagram of the supreme ultimate like with taijutsu’s expression of yin-yang? The earth is also a concretized and living form-diagram of Gaia.
Are you about to ask where The Wheel and The Magician are in the text?  I will suggest to read the cards for that part. There may be more there than these words. But, here’s a nudge:
~ How does Death Cycle Magic within and about for you?
~ Where are you going to drive on your Imagination Highway today?
Thanks for visiting!  Till next time. May Your Inner Divinity Be Stoked By Your Imagination!
Jupiter’s Blessings,
Jordan & The Land of Mystereum
All images and text (c) 2010, 2011 Jordan Hoggard. Please be responsible and simply not an ass. When you utilize any of this information, cite your source.  Thanks in advance. When you do, expect a rockin’ smile.  If you don’t, watch out for trebuchets, the adult wrist rocket.

Posted by on May 30, 2011 in Card Curiosities, Incarnations


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Death As The Master Gardener. A 13-Card Spread


The Land of Mystereum Death Card

Here is a 13-card spread to go along with the Death As The Master Gardener blog post.  At each place in the spread where you are asked to remove a card or cards, visualize dead-heading flowers in the garden as you pop them right off to further nourish what remains.  

 The spread is formatted in an easy to use PowerPoint slide show where you can move through it at your own pace.  Here is to your perennial qualities shining forth and further naturalizing!    Death_As_The_Master_Gardener

Jupiter’s Blessings,

Jordan & The Land of Mystereum

Spread, images and text all (c) 2011 Jordan Hoggard.  Please cite author when you feature anything from this blog.  Thank You. Let him know as well.  He might just promote you as well. 😀


Posted by on April 15, 2011 in Tarot Birth Cards


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Death As The Master Gardener (+a little extra to chew on + BONUS!)

Enjoy Jordan Hoggard’s fun and depthful exploration of the Death card utilizing a mindset he generated for Schiffer Publication’s 2010 release of “Tarot in the Land of Mystereum: An Imagination Primer”, available at The Tarot Garden and on Amazon and bookstores everywhere. The Land of Mystereum is composed of a 192-page Imagination Primer + retooled Mystereum Tarot deck to emancipate the personalities inherent in Tarot cards and inspire you to further discover natural components of your imagination that you can personally develop and utilize in powerfully actionable ways throughout your everyday life.  It has Tarot speak, each card in their own voice, to enhance YOUR Tarot voice through dialogue and stories expressed by the cards.

Throughout this presentation keep in mind that if your intuition ever feels a little off, or whacked, or having gone missing, it is suggested to simply let it rest.  Simply, let it rest.  Simply listen and surf and swim with your eyes and ears rather than concerning yourself that your intuition feels off.  Maybe it simply rests in your logic.  In this case let your mind and logic flow. Maybe it is transforming.  You may be pleasantly surprised.  Rest is a death of sorts, a rejuvenation time, especially utilizing the way of The Land of Mystereum.  Death is also outright.  Finishes.  Completions.  Death is the mother of memory, and the fertilizer for dreams.


So, let’s get The Death card to come alive for you and play with Death Mystereum-style!  Here we go!

Visualize leaves falling from a tree.  Focus on a single leaf and follow it all the way to the ground in your mind.  What does it do there once on thegrond?  Over time it will decompose.  Think of the concept of decomposing.  Something losing its form.  Something moving back into a formless state.

Now raise your mental focus back to the falling leaves as you begin to notice the tree.  As you begin to un-focus on the leaves, keep a soft awareness of their falling.  Begin to clearly see the tree.  From where you are focus in on the tree.

Smile into the tree as you sense how each and every leaf softly and simply pop-drops off the tree to begin its journey towards becoming nourishment.  As each leaf softly begins to fall, begins this part of its journey, feel how the tree is invigorated as it sheds each tiny little scale of a leaf, like each tiny little chaff shell from wheat in the wind.

Now, enhance your focus on the tree as a life force.  Feel the leaves lost, the leaves shed.  Feel how they strengthen the tree.  Feel how things lost strengthen the clarity and energy of your own focus.

Let’s add a bit more depth and spice here.  The Black Crucible of The Magician!  What is that, The Black Crucible of The Magician?

Closing your eyes visualize the big bowl of your night sky as a huge, black crucible, an immense forming-vessel.  And then, visualize a shooting star to cross this black bowl of your night sky.  Allow The Magician to magically remember the 1st spark of inspiration that crosses your imagination, and the rejuvenating death of its disappearance.  Remember the 1st spark of an idea.  Visualize that shooting star AS the 1st spark of an idea.  Slow its instantaneous coming and going down as you watch it slowly cross your night sky.  Watch it and smile.  Imagine it again.  Now, as you begin to imagine it again, slow down your big bowl of night sky that is around it and watch the whole scene as the shooting star appears and slowly, slowly moves across your big bowl of night sky slowly. Slowly.  Slowly.  And, it is gone again, going through a cycle of life, a cycle of death.  Run slowly through that again as you count to 9.  Remember the shooting star as it plays slowly in long-form each time you have an idea.  Remember this slow-form of your idea to gear into ITS mode of cycles before you jump in and write it down.   Adjust to the pace and rhythm of you idea.  Slowly gear into it as you steer yourself to jot down the remembrance in its own particular ways, with its own, personal, identifying qualities.

Think of something you struggle with or identify a challenge you enjoy.  As you open your eyes, no need to stay Tarot-related here, open your eyes and jot down an idea that came to you, any idea.  Really begin to express the particular core of this idea, a primary connective tissue of its influence, its essence.

This idea will be your topic to explore the Death card in a Land of Mystereum way with direct and Actionable Imagination as a tool.  We will utilize a 3-card Treasure of Tuning over the Stones Tarot spread and The Treasure of Turning Over the Stones methods of Tarot reading here.  This is a session to further and clearly illuminate multiple ways to utilize the change of the Death card for transformation and regeneration WHILE you are experiencing the change. This is a way to enhance your view and feeling-sense of the Death card to further experience interactivity in your Tarot sessions with yourself and with clients, an also to utilize the nourishing qualities of Tarot in your everyday life.

Death indicates that you yourself, alive, that you ARE The Phoenix!  Life and death are the same thing here really, or, one thing, a life-and-death.

Visualize Death as a winter garden, a place where things rest to renew.  Sense the winter garden in the space between each and every moment you experience. Visualize a winter garden space between each moment that infuses the moments you feel flux, feel the rest for rejuvenation of the winter garden.  Feel the rests.  Sense the pauses.  Feel the spaces between moments.  Feel the rests, the little deaths in pauses that prepare you, prepare you AS Phoenix for continual renewal, to keep you refreshed during change.  This is as continuous as the body’s chaff of dead skin flaking off.

Not such an attractive image there? You are right! Death can have a putrid quality.  But, like wheat, feel the chaff, the chaff blown off, the chaff blown off dead in the wind.  As the chaff disappears see and feel only the wheat reveals!  Your dead skin flaking off as an unattractive image?  Sense and feel the amazingly attractive image of YOU continually revealed!  Feel yourself here AS The Phoenix!  Experience the Death card from life, with you AS The Phoenix!

Now, let’s take this interactive quality further.  I suggest to close your eyes again, but I simply suggest that.  You do what you feel best.

Visualize leaves falling.   Visualize a tree in the background.

Still the tree blurred in the background.  Still it. Make it motionless.

Begin to focus on the tree.  As each leaf hits the ground in its Morticia-style love of death, the tree focused in your mind, feel each leaf kiss the ground,

feel each leaf kiss the ground to return, to nourish, your tree.

As each leaf falls from your tree feel the tree subtle things live more brightly,

feel your tree subtly live larger moment by moment, moment by moment it expands as each leaf leaves the tree, as each leaf kisses the ground.

There can be a Morticia-style kind of death-love that nourishes your tree here.  Take several deep breaths, several deep breaths, and subtly, leaving the tree in your mind, come back to the room.

I would like a short period of silence for you here.  Settle in.  Let sound die to thicken the living rue of silence.  Count to 9 in your mind slowly.

This presentation is primarily visualizations to bringing images to mind as I feel Tarot is about visual story, about images and their influences.  Here images can catalyze and emphasize your ideas, creativity, and intuition as the 4-charactered voice of imagination, the 4-charactered voice of imagination where the 4th character is the space between idea and creativity and intuition that brings the 3 into relationship.  Listen and fully sense this 4-charactered approach of imagination’s voice as simply one of the many ways to enhance the actionable and effective qualities of your imagination.

Now, here is a GRAND image for experiencing the magical and imaginative qualities of death:

A caterpillar sees the end of the world in a flower, where a Master envisions, dreams a butterfly sipping the nectar.  Walk-talk-see-feel yourself to travel as a caterpillar.  Maybe you feel there is something in a caterpillar of one of your ideas that you must do.  Do you encase the idea in a chrysalis?  Are you able to let the idea you fall asleep in its caterpillar life, let it sleep in the psychic winter garden of this chrysalis? Your idea may fall asleep to your life, and what of when it awakens transformed?!  This is about Death as a letting go where you are able to respect the variety of timing and cycles that most naturally nourish any particular idea as you transform it to provide the most effective influence from its naturalized identity.

To truly let go of your idea as the caterpillar does in the chrysalis, your idea can literally liquefy inside the chrysalis as it transforms to its new, natural state.  To truly let go like a caterpillar does in totality, your idea can liquefy to awaken in new form. . . with wings even!

You see, a caterpillar doesn’t go on a diet, lose some legs, and grow some wings.  A caterpillar literally liquefies into a primordial soup in its case, its vessel, its chrysalis that operates as its personal self-made womb, an alchemical life-crucible of its own making to liquefy within and throughout so that it may naturally reconstitute! It may naturally reconstitute as a butterfly!  Hear that?  How cool!  The caterpillar soup reCONSTITUTES, reconstitutes to beCOME a butterfly! How cool is THAT?!

It slide-emerges out of the chrysalis it made as it cracks it like a snake with egg-tooth from its egg as the NOW butterfly swells.  It unfurling-its-wet-wings emerges as, more than meets the eye as it wings unfurl as if larger than possible from that tiny chrysalis, its skin shedded like a snake, its skin not missed.  Let one of your ideas crack-hatch here as it emerges from the forming life-crucible of your own making.  Experience this emergence as Death, in an awakening!  The chrysalis can crack open and with wet and folded wings the butterfly slowly stretches to unfold and unfurl its new “LEGS” like a cat waking from a nap.  Its legs to get around are now wings!  And, where did the other legs go?  Interesting, that butterflies taste with their feet.  Cracking the vessel of its chrysalis, the butterfly literally broke the mold . . . and I would venture to guess when a butterfly sees a catterpillar, it might just think, “What’s that pretty crawly thing?”  Like a pond turning over, I gather that the butterfly remembers the caterpillar only in its newfound fertility and flight as a way of life.

The butterfly broke the mold to emerge slowly. . .as a butterfly!  Notice a smile as its wet and folded wings unfurl?

Not as chaff to be blown off by the wind, the butterfly leaves the chrysalis, having broke the mold as it emerged, to fly ON the wind!  To raise into the winds of change as it flies!  And, once you can fly, flight becomes a way of life so says the butterfly!  The Phoenix flies!  Your ideas can fly as you unfurl your arms and you slowly wake to the room! Fly back right here!

So, here I will simply make some statements for reflection, for dreaming of flight.

Force is not necessary to change.  Forces are, but change may be effortless on your part.  Maybe.  Massage this like clay.  Throw a mind-pot on your imagination’s potter’s wheel.

Be comfortable with the not-knowing like the caterpillar who knows there is something that simply has to be accomplished. Accomplishment = meaning that occurs AS action here.  The not-knowing?  What is that really?  It means that meanings and reasons occur IN your actions rather than in explanation.  Meaning occurs in the act.  Meaning occurs AS the act, infusing it throughout.

Meaning.  Reason.  Meaning and reason IN action!  Think of the not-knowing as your personal path to enhance your ability to be attached to one thing.  You do not need to be attached to life.  As the comedian Lazy Boy says with a big laugh, “Have fun and do your thing.  None of us are getting out alive.”  So, what is this one thing to be attached to?  Death takes care of your outcomes?  More than that natural feature.  That feels rather uninspiring.  Explore simply being attached to one thing.  Explore being attached to being pleasantly surprised, often.  Be attached to being pleasantly surprised daily!  Lose the trip-ups.  Spread your wings and lift your legs, glide right over them . . . and maybe even begin doing so naturally, unaware of them, eyes on the flower, eyes on the prize.

The way I look at death in this way is this.  The older I get, the more comfortable and happy I get. Frank Lloyd Wright put it this way, “The longer I live, the more beautiful life becomes.”

So, for Death I have presented you with:

the not-knowing and the chrysalis

You as Phoenix and your ideas as leaves

Ideas as a tree.  Feet as taste buds of earthly connection.

As you are here alive, I see death, as in the Death card, as this totality of transformation. Transformation, then, is a way to open up, to break the mold.  Transformation is a way to open portals of discovery in ways like a caterpillar that becomes a butterfly, your ideas that become more than you never dreamed as you garden them to naturalize over time and cycles and seasons.

So, lastly before I share aspread, I hope there have been inspiring moments for you throughout this presentation, and that there have been and will continue to be inspiring moments in each of your lives that emerge from chrysalises, each chrysalis to be posited in lineage, as it is forgotten into flight.

So, in the final moment here of my presentation, as I die it to completion, I will touch on grief from a Death card perspective.  We each grieve differently, and we each grieve differently each time.  So, each time you draw the Death card take a moment to silently let the chaff and the falling leaves disappear to reveal the wheat and the tree and the Phoenix as they present themselves in your reading.  To reveal lineage forgotten into the treasure that is flight.  Literally, sense fully to get at what is emerging, and what emerges rather than what is falling away.

And, in big ole chaff and falling leaves ways, think about any marked disruption in a life.  Yours.  Somebody else.  The life of an idea.  It may not be that their life is truly falling apart.  That may be caterpillar thought.  It may be that their life falls together for the first time, and feels different, even alien to the previous.  Like comparing a caterpillar to a butterfly.

spoken in a 1st person voice of Death like in The Land of Mystereum, to literally and really let the cards speak:


I am the marriage of things that bridge, bridge by going somewhere else,

that go somewhere else, to marry each of us to the Other, always alive.

The Other always alive receives death with open arms to marry us here to live our celestial groove.

So, forgetting the leaf . . .for. . . .getting the tree.

Forgetting the caterpillar. . .for. . .getting the butterfly.

Forgetting the chaff. . .for. . .getting the wheat.

Forget your loss. . .for. . .getting the natural change and evolutions in your life.

Getting your life . . . You . . . Alive . . . Death is an ally

You . . . alive . . . Are your best ally!  You ARE THE PHOENIX!

The Phoenix is reincarnation incarnate . . .

and with that, I come to the epitaph of this presentation so it may rest in peace . . .

Death’s epitaph speaking to reincarnation:  I have been dying my whole life to get right HERE NOW, and always will be!  Ask me again tomorrow where I may be differently informed.        ~ The End ~

Thank you for your time.  I encourage you to feel your transformations and move and feel and think with the fresh new abilities your transformation awaken for you.  I encourage you to feel your transformations wise in time, experiencing them AS they happen, the meaning occurring in the act, and throughout their durations.  Feel your own wisdom inform your change DURING the change to work with it and enhance and refresh your fluidity.  I do not feel that transformations give you self-development homework to reason with to chew up your value and compost your dreams.  I see the patience of a butterfly in transformations. Can you be patient like the butterfly enjoying the scenery, noticing flowers and a natural draw to them?  A few wet flaps in the wind to get the good gist, and . . . flight!  May you always get your good gist.  Wet and new like a butterflies wings, may you in a few short flaps see your own flowers.  Thanks for your time!

Jupiter’s Blessings,

Jordan Hoggard

The Land of Mystereum

Spread Bonus sprouted for Death ~ 3-Card Treasure of the Stones spread:

to experience expectation and lineage and chrysalis in a card

to discover the treasure of the card’s flight under the chrysalis, under the stone. . the treasure of turning over the stones.

Shuffle your cards and once you feel your shuffling is at a place that resonates with you, your deck is in sync for your reading, hold your deck out over where you read, maybe 2 or 3 inches above it.

Drop a portion of the deck as one pile or stone as I call it.  Drop another next to it as a second stone.  And, a third.  Do this to make 3 mini-decks of stones.

~ Top of the 1st stone is Card 1: The chrysalis of your current idea or situation.

~ Top of the 2nd stone is Card 2: The chrysalis of what you need to know about your current idea or situation.

~ Top of the 3rd stone is Card 3: The chrysalis cracking card.  The card of breaking the mold.

Read your cards from those perspectives.  THEN!  Pick up the 1st stone and shake it all around to get the imaginary sand off of it.  And as you are rolling it and shaking shake shake shake holding on to it FLIP your hand to turn over the stone.  The bottom card is the treasure of the top card.  How does the treasure emerge from the top card like a butterfly emerges from its chrysalis?  Work these two cards to together.  Let the top card be lineage, be place, be the subject.  Let the the top card be informed by its treasure. Express how the bottom card can be the treasure of the top card.

~ Bottom of the 1st stone is Card 4: The treasure of your situation from Card 1.

~ Bottom of the 2nd stone is Card 5: The treasure that emerges from what you expected to need to know from Card 2.

~ Bottom of the 3rd stone is Card 6: The treasure of the magic carpet of flight that emerges from Card 3!

And, another version of this spread can be experienced at Donnaleigh’s wonderful Tarot site:    Enjoy!

Thanks for reading!  I hope this provides valuable infusion for YOU to aspect and evolve and enhance your Tarot voice!

Jupiter’s Blessings,

And, if you have made it this far, you are a real trooper!  So, here is another added bonus spread.  All I ask is that when the spread indicates for you to remove cards and make them disappear, do so like deadheading in a garden.  Cleanly snap ’em right off so the other flowers of cards can thrive.  Or as New Zealanders might say, “Deedheeding, Man.”  Do kiwis use commas? ;-D

Death_As_The_Master_Gardener  (fyi: a Powerpoint doc, .ppt)


Posted by on April 9, 2011 in Incarnations


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Fours: Birth-Placing Identity

Tarot Birth Identities: The Fours

DEATH ~ EMPEROR  ::  XIII ~ IV   ::  13 ~ 4

Welcome to my Tarot Birth Card Identity Blog!  This blog is intended to be a simple overview of Tarot Birth Cards, a casual and concise walk-through of the groupings of Birth Cards to express some of the ways that they can contribute vital components to identity.  Also, I will layer in Birth Card Preludes to express the whole of each Birth Card grouping in a short statement.  I find that these Preludes, as I like to call them, turbo-readings of sorts, are best stated afterward, later to be utilized as initial triggers to remind one of how the Birth Cards can integrate an overall expression of the Birth Cards from a single voice.  Enjoy finding your own path with these, and look forward to hearing your own, personal “trigger” Preludes and Birth Card thoughts directly composed from your feeling-sense of them.

Note also how these Birth Card expressions and Preludes factor in to hook up and work with my videos like the Aces Four Potential and Fours Ground More.  Enjoy the correspondences of the numbers as they flow back and forth between the Major Arcana in the Birth Cards and each of the suits of the Minor Arcana and Courts in the videos.  Also, I encourage you to have some fun and come up with Preludes on your own for the Aces through the Tens, and as well Your Royal Court characters.

So, to start for example with this 2-card Birth Card combo, the 1st card can represent a person’s Outer Expression.  The 2nd card can represent their Inner Expression.  So for example with the Birth Card Chart combo of a XIII, IV; 13, 4; Death ~ The Emperor:  

13 is the Outer Expression              4 is the Inner Expression

A Prelude of your own making can create and make your own brand of an Added Incentive integrated, hiding in plain sight, and /or simply inherent from your perspective.

Example: 4’s Birth Card Prelude: With Death ~ The Emperor as your Birth Cards you have the ability to experience transformational senses of place.  Hold that thought, and . . . let’s get started walking through the the 4’s shall we?

[ XIII ~ IV  ]   [ 13 ~ 4 ]
Note how the numbers of these cards add up to 4, and thus correspond with the Fours in general, and the Fours Ground More video on the Flics page of my Mystereum website .

The Death card represents your Outer Expression.  This is how most people ‘see’ you in the world.  The Death card is known for its abilities to renew, rebirth, and regenerate.  With the Death card representing your Outer Expression experience the re-growth of things that replace decay.  Know that you are pregnant with ideas.  Keep sight of their refreshing qualities.

The Emperor represents your Inner Expression.  This is a side of you that only your closest family and friends ‘see’.  The Emperor as your Inner Expression symbolizes that you have an intrinsic sense of home and place and environment.  You have a genius driven by both place in general and your placement within most any situation.

4’s Birth Card Prelude: With Death ~ The Emperor as your Birth Cards you have abilities to experience transformational senses of place.   See how this simple Prelude statement can express the 2 characters as facets of one personality:

Death ~ You have abilities to experience transformational
The Emperor ~ senses of place.

Putting them back together again: You have abilities to experience transformational senses of place.  Enjoy your Birth Card Prelude as the cadence of a heartbeat to energize the things you do.

I hope you have enjoyed this blog, and find it useful in your process as you further emancipate your own, personal Tarot voice!

Jupiter’s Blessings from The Land of Mystereum,
Jordan Hoggard


Posted by on April 8, 2011 in Tarot Birth Cards


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Ones: Birth-Placing Clarity

Tarot Birth Identities:

Ones: Birth-Placing Clarity With The Sun ~ The Wheel ~ The Magician

Welcome to my Tarot Birth Card Identity Blog!  This blog is intended to be a simple overview of Tarot Birth Cards, a casual and concise walk-through of the groupings of Birth Cards to express some of the ways that they can contribute vital components to identity.  Also, I will layer in Birth Card Preludes afterwards to express the whole of each Birth Card grouping in a short statement.  I find that these Preludes, as I like to call them, are best stated afterward first as triggers to remind one how the Birth Cards can integrate an overall expression of the Birth Cards.  Enjoy finding your own path with these, and look forward to hearing your own, personal “trigger” Preludes and Birth Card thoughts directly composed from your feeling-sense of them.

Note also how these Birth Card expressions and Preludes factor in to hook up and work with my videos like the Aces Four Potential and Twos To Pair at .  Enjoy the correspondences of the numbers as they flow back and forth between the Major Arcana in the Birth Cards and each of the suits of the Minor Arcana and Courts in the videos.  Also, I encourage you to have some fun and come up with integrated Birth Card Preludes on your own for the Aces through the Tens, and as well Your Royal Court characters.  You will experience an example Prelude below.

So, to start for example with a 3-card Birth Card combo, the first card can represent the person’s Outer Expression.  The 2nd card can be their Added Incentive.  And, the third card can represent their Inner Expression.  So for example with the Birth Card Chart combo of a XIX, X, I; 19, 10, 1; The Sun ~ Wheel ~ Magican: 

19 is the Outer Expression10 is the Added Incentive 1 is the Inner Expression

For a 10, 1 combo: 10 is the Outer Expression1 is the Inner Expression.  A Prelude of your own making can create and make your own brand of an Added Incentive integrated, hiding in plain sight, and /or simply inherent from your perspective.

So, let’s get started walking through these shall we?



[ XIX ~ X ~ I ]   [ 19 ~ 1 ~ 1 ]
Note how the numbers of these cards add up to 1, and thus correspond with the Aces in general, and the Aces Four Potential video on the Flics page at .  Enjoy the videos, and there is also a link to my YouTube Channel where you can see all the videos released for The Lanbd of Mystereum thus far.


One’s Birth Card Prelude: With The Sun ~ Wheel ~ Magician as your Birth Cards you have the ability to tap into magical cycles of identity.     A Birth Card Prelude can be as simple as a few words, and as inviting and expansive as the title of a book, the ever-evolving book of You!

See how this simple Prelude statement expresses the 3 character as facets of one personality:

The Sun ~ identity                   The Wheel ~ cycles                The Magician ~ magical

Putting them back together again, and note that the attributes are utilized in reverse.  That’s your call: With The Sun ~ Wheel ~ Magician as your Birth Cards you have the ability to tap into magical cycles of identity.


The Sun card represents your Outer Expression.  This is how most people ‘see’ you in the world.  The Sun card is known for its subtle strength of constancy.  With The Sun card representing your Outer Expression experience the subtle strengths of the constancy of your perspective and presence as you brightly express yourself.  Know that even when it is overcast or dark or you experience emotional weather, you shine somewhere regardless.  Keep sight of what you brighten.

The Wheel of Fortune represents your Added Incentive.  This is a card of synchronicity, cause and effect and what many call karma.  When the Wheel of Fortune is part of your Added Incentive you can expect to feel catalyzed as you move through and into new cycles in your life.

The Magician represents your Inner Expression.  This is a side of you that only your closest family and friends ‘see’.  The Magician as your Inner Expression symbolizes that you present things clearly, but subtly distorted from the way others might expect.  You have a uniquely complete thought process and imagination to infuse your actions.

Hope you have enjoyed this Birth Card Identity and Birth Card Prelude I have put together for you.  Comments always welcome.  Look forward to hearing from you in Your Tarot voice!  Powerfully evocative and life-ful Tarot experiences to You and Yours!

Until next time! 

Jupiter’s Blessings, ~Jordan


Posted by on April 7, 2011 in Tarot Birth Cards


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